We love films and are especially passionate about the ones not many people have heard of, the ones we’ve encountered at small but charming film festivals and fell for. To share this love with others – both viewers and other film professionals – is what keeps us going. And to be able to help such films to realise their potential in full is exceptionally rewarding.
We are very frank with producers we cooperate with and discuss openly our plans for their film and possible outcome of our efforts.
At office we keep it slim employee-wise which increases our business hours significantly but at the same time allows us to share income with rights-holders from the first dollar made.
We treat each film individually and devote all our knowledge and time to prepare it for international promotion in the best way possible.

While most sales companies are after films that make it to A-list festivals we remain also open to films premiering at slightly less prominent. We understand that these titles may still have potential – even if not for world sales – to reach viewers in several countries. We accept the risk, we understand it takes long hours and creativity to help those films succeed abroad and we are glad to take them on board. It’s a challenge that makes the success even more valuable and the producers satisfied. We only plan to add 2-3 new films per year to our new releases catalogue to be able to focus properly on each of them, both when it comes to festival strategy as well as sales.
As our second area of activity we plan to take on TV sales of local hits, more commercial titles which often turn out to be main interest of TV buyers.
We encourage producers to submit both kinds of films to us.

In 2016 we’ve got ourselves involved in film production and now have a short documentary in production, a dating-themed comedy series at financing stage (to which we’ve produced a pilot),  reality series in development and plans to explore more possibilities. We’re discussing new ideas with bloggers and youtubers to partner up for more productions designed for internet distribution.

Justyna Koronkiewicz is a master in Marketing and a Wajda School alumni where she attended Creative Producers Course.
She has started her career in film business at Mayfly, an all-rights distribution company based in Warsaw, Poland, where she’s been quickly promoted from sales department to project management and ended up as a partner. During eight years spent at Mayfly she’s created the first LGBT-themed film series in Poland, expanded the company’s presence in VOD and TV fields, attended numerous film and TV markets. In 2012 she decided to move to the other side of the business and focus on then underpromoted Polish cinema and founded MEDIA MOVE.